Experience productions from New York's Metropolitan Opera in stunning HD on the big screen.
Get ready for the spectacular 19th season of The Met Opera on the big screen. Learn more about each production below:
Vincenzo Bellini's La Sonnambula | Screening from 4 December | New Production
Following triumphant performances in Gounod's Roméo et Juliette, Verdi's La Traviata, and Donizetti's Luciadi Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleep walks her way into audiences' hearts in Bellini's poignant tale of love lost and found.
Giacomo Puccini's La Bohème | Screening from 5 March
With its enchanting setting and spellbinding score, the world’s most popular opera is as timeless as it is heartbreaking. Franco Zeffirelli’s picture-perfect production brings 19th-century Paris to the Met stage as Puccini’s young friends and lovers navigate the joy and struggle of bohemian life. Sopranos Juliana Grigoryan, Angel Blue, and Aleksandra Kurzak trade off as the feeble seamstress Mimì, opposite tenors Freddie De Tommaso, Stephen Costello, Adam Smith, and Long Long as the ardent poet Rodolfo.
Richard Strauss' Arabella | Screening from 26 March
Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to the Met stage in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Compelling soprano Rachel Willis-Sørensen makes her role debut as Arabella, a young noblewoman in search of love on her own terms. Soprano Louise Alder makes her Met debut as her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.
Umberto Giordano's Andrea Chénier | Screening from 23 April
Giordano’s passionate tragedy stars tenor Piotr Beczala as the virtuous poet who falls victim to the intrigue and violence of the French Revolution. Following their celebrated recent partnership in Giordano’s Fedora, Beczala reunites with soprano Sonya Yoncheva as Chénier’s aristocratic lover, Maddalena di Coigny, with baritone Igor Golovatenko as Carlo Gérard, the agent of the Reign of Terror who seals their fates. Daniele Rustioni takes the podium to lead Nicolas Joël’s gripping staging.
Vincenzo Bellini's I Puritani | Screening from 21 May | New Production
For gorgeous melody, spellbinding coloratura, and virtuoso vocal fireworks, I Puritani has few equals. On New Year’s Eve, the curtains went up on the first new Met production of Bellini’s final masterpiece in nearly 50 years—a striking staging by Charles Edwards, who makes his company directorial debut after many successes as a set designer. The Met has assembled a world-beating quartet of stars, conducted by Marco Armiliato, for the demanding principal roles. Soprano Lisette Oropesa and tenor Lawrence Brownlee are Elvira and Arturo, brought together by love and torn apart by the political rifts of the English Civil War, with baritone Artur Rucinski as Riccardo, betrothed to Elvira against her will, and bass-baritone Christian Van Horn as Elvira’s sympathetic uncle, Giorgio.
Richard Wagner's Tristan und Isolde | Screening from 25 June | New Production
After years of anticipation, a truly unmissable event arrives as the electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. The momentous occasion also marks the advent of a new, Met-debut staging by Yuval Sharon—hailed by The New York Times as “the most visionary opera director of his generation” and the first American to direct an opera at the famed Wagner festival in Bayreuth—as well as Music Director Yannick Nézet-Séguin’s first time leading Tristan und Isolde at the Met. Mezzo-soprano Ekaterina Gubanova reprises her signature portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.
Pyotr Ilyich Tchaikovsky's Eugene Onegin | Screening from 23 July
Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly, soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young heroine in this ardent operatic adaptation of Pushkin. Baritone Igor Golovatenko reprises his portrayal of the urbane Onegin, who realises his affection for her all too late. The Met’s evocative production, directed by Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of … Tchaikovsky’s lyrical romance” (The Telegraph).
Gabriela Lena Frank (Libretto by Nilo Cruz) El Último Sueño de Frida y Diego | Screening from 27 August | New Production
American composer Gabriela Lena Frank makes her Met debut with her first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Eurydice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Yannick Nézet-Séguin conducts the Met premiere of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with colour and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker, following her remarkable 2024 debut staging of Ainadamar.
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